Lecture 2 – January 25
Origins of Documentary Film
Artistic expression and capturing “actuality” in the 1920′s.
Representation versus reality
Be prepared to discuss the quotation
“Sometimes [in documentary film making] you have to lie. Often one has to distort a thing to catch its true spirit.”
Propaganda films of the 1930′s and 40′s.
PLEASE EXAMINE THE POWERPOINT OF THIS LECTURE. (note some of the slides toward the end of this presentation may not have been used due to time restraints)
jmsc-0044-documentaries-week-2-08-powerpoint-for-web.ppt
Among films considered in Weeks 1-3:
1922 Nanook of the North, Robert Flaherty
Michael Moore Films 1989 to 2007
1927 Berlin: Symphony of a Great City, Walter Ruttmann
[2003 The Fog of War, Errol Morris]
1929 Man with the Movie Camera, Dziga Vertov
1934 Triumph of the Will, Leni Riefenstahl
1939 Olympia, Riefenstahl
1941-42 Why We Fight, Frank Capra
1993 The Wonderful Horrible Life of Leni Riefenstahl, Ray Muller
Notes and references:
A Review of Berlin from Senses of Cinema may be found at http://www.sensesofcinema.com/contents/cteq/00/5/berlin.html
